SOLO EXHIBITIONS
2024 Touch / Stone, Peter Blum Gallery, New York, NY
2023 Hydra, Teeth of Quartz, Halsey McKay Gallery, East Hampton, NY
2022 A ear, a hand, a mouth, an offering, an angel, Rhona Hoffman Gallery, NY, NY
2021 Wild irises grow in the mountains, Tilton Gallery, New York, NY
Moonrays, Koki Arts Gallery, Tokyo, Japan
Ma/Ma, Lora Reynolds Gallery, Austin, TX
2020 Outlooks: Martha Tuttle, Storm King Arts Center, New Windsor, NY (2020-2021)
Constellations I drew in Nevada, Luce Gallery, Turin, Italy
2019 The Dance of Atoms, Rhona Hoffman Gallery, Chicago, IL
Baccante By The Sea, Geukens & De Vil, Knokke, Belgium
2018 As it resembled a bird, it was as if she could fly, Geukens & DeVil, Antwerp, Belgium
I long and seek after, Tilton Gallery, New York, NY
Oracles, Luce Gallery, Turin, Italy
2017 Cimarron, Efrain Lopez, Rhona Hoffman Gallery, Chicago, IL (with Henry Chapman)
2016 Nesticulations, In Limbo, Brooklyn, NY (with Laurie Kang)
Metaxu, Tilton Gallery, New York, NY
2013 Gray Beginnings, Dwight Hackett Projects, Santa Fe, NM (two-person installation)
SELECTED GROUP EXHIBITIONS
2025 As Above, So Below, FLAG Art Foundation, New York, NY (forthcoming)
Earthbound, DC Moore Gallery, New York, NY
2024 Line & Thread: Prints and Textiles from the 1600s to the Present, New York Public
Library, New York, NY
Space City: Art in the Age of Artemis, Asia Society, Houston, TX
2023 Two Pieces in the Shape of a Pear, Hauser & Wirth Southampton, NY
Home Run, Casa Marguo, Menorca, Spain
Moonrays, Koki Arts, Osaka, Japan
2021 Light Stone & String, Halsey Mckay Gallery, East Hampton, NY
44 Signs of the Times, Mana Contemporary, Jersey City, NY
Angle of Repose, Poker Flats, Williamstown, MA
This Earth, Southern Utah Museum of Art, Cedar City, UT
2020 Open Air, Luce Gallery, Turin, Italy
The Blurred Discreteness of Colors, Hiram Butler Gallery, Houston, TX
Abstract! Minimalism to Now, Tilton Gallery, New York, NY
Entwined (two-person exhibition), The Ucross Foundation, Ucross, WY
2019 Embodied: Flesh, Fiber, Features, Galleria Ana Marra, Rome, Italy
The Garden of Cyrus, The Fortnight Institute, New York, NY
The Land That I Live In, Matthew Brown Gallery, Los Angeles, CA
2018 Complicated Territory: Alex McQuilkin, Erin Riley, Martha Tuttle, Dorsky Gallery, Long Island
City, NY
Veils, Hiram Butler Gallery, Houston, TX
Sutures, Marc Straus Gallery, New York, NY
Silent Transformations, Deli Gallery, New York, NY
Parallel Practices, Western Connecticut State University, Danbury, CT
A Simple Fraction, Doyers, New York, NY
Alan Shields Project, Van Doren Waxter, New York, NY
2017 Selvedge, Able Baker Contemporary, Portland, ME
Wash, Rose Arcade, Joshua Tree, CA
Dangerous Educators, Triumph, Chicago, IL
Form OF Touch, SVA Curatorial Masters Thesis of Becky Nahom, New York, NY
2016 14 Artists Dealing with Paper, LMAK Gallery, New York, NY
Summer Reading, The Fortnight Institute, New York, NY
Raylets, Radical Abacus, Santa Fe, NM
2015 It’s After the End of the World, Distillery Gallery, Boston, MA
Utilities, Radical Abacus, Santa Fe, NM
Yale Graduates 2015, Garis and Hahn Gallery, New York, NY
But Who's Counting? Yale School of Art, New Haven, CT (thesis exhibition)
2014 Rock-Paper-Scissors-Lizard-Spock, Yale School of Art, New Haven, CT
Currents International New Media Festival, Santa Fe, NM
2013 Untitled, Treize Gallery, Paris, France
2012 Each Moment We Live Our Lives Shine, The Cullom Gallery, Seattle, WA (In conjunction
with Elles: Seattle)
2011 Fabric as Form, Tilton Gallery, NY
The Rivers are the Veins, Annandale-on-Hudson, NY
Bard Undergraduate Thesis Exhibition, Annandale-on-Hudson, NY
SELECTED BIBLIOGRAPHY
2024 McGlynn, Tom. “Martha Tuttle: Touch / Stone,” The Brooklyn Rail, May 1
Smith, Brandi. “Rice’s Moody Center kicks off Women’s History Month with reception for new
campus art installation,” Rice University News and Media Relations, February 20
2022 Plasse, Tibby. “Tuttle 'Geologies' maintains delicate tensions,” Jackson Hole News, April
20
Pelletier, Chloe. “The Renaissance Nature of Martha Tuttle’s “An ear, a hand, a mouth, an offering,
an angel,” New Art Examiner, April 16
Adams, Marina. “Marina Adams and Martha Tuttle.” Bomb Magazine, February 7
Tuttle, Martha. “Printing in the desert and listening to radio preachers,” The Brooklyn Rail,
February 1
2021 Block, Louis. “Martha Tuttle: Wild Irises Grow in the Mountains.” The Brooklyn Rail, October 30
Duffy, Owen. “For the Founding of an Institution: Asian Art Archives in America Leadership Camp,”
Art & Education, February 5
2020 Bouhassira, Elza. "New Storm King Art Exhibit Features Glass, Marble, and Glacial History," Earth
Institute, October 7
Bury, Louis. "Martha Tuttle's Sentient Stones at Storm King." Hyperallergic, September 5
Wally, Maxine. "After Months of Online Viewing Rooms, Outdoor Art Exhibitions Fill the Void," W
Magazine, September 1
Farago, Jason. "Storm King Reopens for the Art-Starved." New York Times, July 9
Weaver, Shane. "Storm King is reopening this month with brand-new outdoor artworks,"Time Out, July 1
Belblidia, Nora. "Softening Social Distancing: Poets and Listeners Connect through 'Phone Call'," Baltimore Arts,
April 17
2019 Leahy, Brian T. “Martha Tuttle,” Artforum, October
DeLand, Lauren. “Martha Tuttle’s Textiles Merge Modernist Aesthetics with Molecular Theory.” Art in America,
September 23
Vogel, Maria, “Martha Tuttle Embodies the Natural World.” Art of Choice, January 30
2018 MacAdam, Arthur. “Martha Tuttle: I long and seek after.” The Brooklyn Rail, January 7
2017 Grabner, Michele. “Martha Tuttle and Henry Chapman: Rhona Hoffman Gallery,” Artforum, November
Segal, Mark. “Duncan and Burgos at Halsey Mckay.” The East Hampton Star, August 31
Kany, Daniel. “Fiber and painting grow closer in exhibit at Able Baker Contemporary,”Portland Press Herald,
July 30
Schroeder, Nick. “A Show of Support- Able Baker’s ‘Selvedge’ Sees Painting Through a Totally Different Grain,”
The Portland Phoenix, July 18
2016 “Martha Tuttle.” THE Magazine, April 2016
Bui, Phong. “Martha Tuttle: Metaxu.” The Brooklyn Rail, February 3
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter.” Artnet news, January 29
Munro, Cait, "Martha Tuttle's Tilton Gallery Show Breaks from Millennial Stereotypes," Artnet news, January 26
SELECTED WRITINGS
2023 Motherwell’s Untitled, 1945, The Brooklyn Rail
2021 “I question the innocence of the grid,” essay on Agnes Martin for Radius Books, Santa Fe, NM
Return to the Field, edited collection, Wendy’s Subway, Brooklyn, NY
“On the ‘our’,” in Weaving Language: Lexicon, Artist compilation published by artist, Francesca Jones, Portland, OR
2020 “A New Empathetic Lens: Interview with Virginia Lee Montgomery,” BOMB Magazine
“To my Grandmother,” Best! Letters from Asian Americans in the Arts, Paper Monument Publications
“Online Sculpture: Virtual Edition,” The Brooklyn Rail
“Is there such thing as Distance?”, contribution for guest critic Bill Goldston, The Brooklyn Rail
“We are nets that plankton pass through,” essay on artist Brie Ruais, Art Asia Pacific
2017 Catalogue essay, Forms of Touch (curated by Becky Nahom), SVA Curatorial, Brooklyn, NY
“A Bruise is the Momentary at Ease with the Continuous,” review of Byron Kim’s exhibition Mud Root Ochre
Leaf Star, Art Critical, Brooklyn, NY
2016 6 September 1986, review of Donald Judd’s collected writings, The Brooklyn Rail
SELECTED COLLABORATIONS
2021-2023 Printing Artist, Farrington Press, Joshua Tree, CA (forthcoming, co-published with
Pazda Butler Gallery)
2020 Return to the Field (forthcoming publication with Wendy’s Subway, Brooklyn, NY)
Costumes for Felix Bernstein and Gabe Rubin’s Vomitorium, The Kitchen, Queens, NY
2019 Cover work for Claudia Rankine, The White Card, Graywolf Press
ONGOING Printing artist with United Limited Art Editions, Bay Shore, NY
LECTURES
2023 Lecture, Bowdoin Museum of Art, Bowdoin, ME
Invited Artist, Robert Motherwell Study Day, The Menil Collection, Houston, Texas
2022 Return to the Field Book Release, Wendy’s Subway, Brooklyn New York
2021 Byron Kim and Martha Tuttle: Art and Nature, Storm King Art Center, New Windsor, NY
2020 The New Social Environment: Martha Tuttle with Susan Harris, The Brooklyn Rail
Lecture for Compositions: Crossing Over, SUNY Purchase, NY
Moderator, The Next American Revolution with Dr. Scott Kurashige, Asia Society, New York, NY
Moderator, The Bridge Called My Back: Writings by Radical Women of Color with Dr.
Margo Okazawa Rey, Asia Society, New York, NY
2019 Panel Discussion, Model Minority and Model Majorities, SVA Curatorial Practices, New York, NY
Lecture for Westward: Sculpture & Monumentality in the North American Landscape, SVA, New York, NY
2018 Fiber Optics, Panel Discussion, Dorsky Projects Curatorial, Queens, NY
Language Weavers, Wendy’s Subway Reading Series, Bard Graduate Center, New York, NY
Artist Talk, SUNY New Paltz, New Paltz, NY
2017 Panel Discussion, The Allen Shields Project, Van Doren Waxter Gallery, New York, NY
2016 Tuesday Evenings at the Modern, Modern Art Museum of Fort Worth, Fort Worth, TX
Agnes Martin: Variations of the Faith Mind, SUNY Purchase, Purchase, NY
Panel Discussion, A Life in Art, New Mexico Committee of the National Museum of Women in the
Arts, Santa Fe, NM
2014 Becoming Artists: Critique, Originality, and Identity, Yale Art Gallery, New Haven, CT
AWARDS/FELLOWSHIPS/RESIDENCIES
2026 Atelier Calder Residency
2025 Pollock-Krasner Foundation Grant
2022 The Montello Foundation, NV
Tussen Takk, Leland, MI
2019–2020 Asian Art Archives Leadership Camp, Asian Art Archives, Brooklyn, NY
The Montello Foundation, Montello, NV
The Rauschenberg Foundation Residency, Captiva, FL
2017–2018 Sharpe-Walentas Studio Program, Brooklyn, NY
Søndre Green Farm Residency, Noresund, Norway
2017 A-Z West, Joshua Tree, CA
2016 The Ucross Foundation Artist Residency, Ucross, WY
2014 Donald C. Gallup Research Fellowship, Beinecke Rare Books and Manuscripts Library,
Yale University, New Haven, CT
The Josef Albers Foundation Traveling Fellowship, Bolivia, Peru, and Mexico
2012 New Mexico School of Poetics, Ojo Caliente, NM
SELECTED PROFFESIONAL EXPERIENCE
2023 Visiting Artist, University of Houston, Houston Texas
2022- Present Visiting Faculty, Pratt Institute, Brooklyn, NY
2021- Present Adjunct Faculty, St. Johns University, Queens, NY
2021 Guest Lecturer, Westward: Sculpture and Monumentality in the North American
Landscape, SVA, New York, NY
2019 MFA Mentor, MassArt, Boston, MA
2018 Adjunct Faculty, New York University, New York, NY
2017 Adjunct Faculty, SUNY Purchase, Purchase, NY
2015 Teaching Assistant, Color Theory, Yale School of Art
2014 Teaching Assistant, What is Painting? Yale School of Art
PUBLIC COLLECTIONS
The National Gallery, Washington DC
The Museum of Modern Art, New York, NY
Museum of Fine Arts Houston, Houston, TX
Smith College Museum of Art, Northampton, MA
Bowdoin College, Brunswick, ME
The University of San Diego, San Diego, CA