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Land Swipe, 2019, acrylic on deer hide, 44 x 36 inches (111.8 x 91.4 cm)

The Most Important Moments in Art in 2020
By Holland Cotter, Roberta Smith and Jason Farago
December 4, 2020

This was a year of protests and pivots. Monuments fell, museums looked inward. On the bright side, galleries persisted despite the pandemic’s grip and curators rolled out magisterial retrospectives.

No Longer Business as Usual
By Holland Cotter

The year was a 12-month stress test. When I asked friends “how are you?” the repeat answers came: “anxious,” “depressed,” “bored.” The first two I could relate to, but bored is something I rarely am. As a journalist, I’m addicted to art-specific information, to taking it in, parsing it, sorting it, trying to make sense of it. And there’s been a ton of it this year, all pretty intense. So as long as I’ve had a laptop, a home library, and at least some access to “live” art, I’ve been OK in lockdown mode. Here are some things that have kept me focused.

6. Indigenous Presence

A concentration of Indigenous artists lit up New York galleries and museums this year. They included, along with Sky Hopinka at Bard, Edgar Heap of Birds (Southern Cheyenne and Arapaho) at Fort Gansevoort; Nicholas Galanin (Tlingit and Unangan) at Peter Blum; Jeffrey Gibson (Choctaw and Cherokee) at the Brooklyn Museum; and the Indigenous Canadian painter Kent Monkman (Cree) at the Met. In addition, the Met, which stands on Lenape homelands, hired Patricia Marroquin Norby (Purépecha Indigenous Mexican) as its first full-time Native American curator.

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