BIOGRAPHY

Born 1964, Yonkers, NY

Lives Poughkeepsie, NY

 

EDUCATION

1988

Columbia University, New York, NY; MFA

1986

Cooper Union, New York, NY; BFA

 

SELECTED ONE-PERSON EXHIBITIONS

2012

Eating Symbols, Peter Blum Gallery Chelsea, New York, NY

2009

The Upper Depths, Peter Blum Gallery, New York, NY, January 15 – March 7

2007

Sunrise at the Bottom of the Ocean, Mario Diacono at Ars Libri, Boston, MA

2006

Alexander Pollazzon Ltd., London

2005

Feature Inc., New York

 

The Year of Who Knows When, Greener Pastures Contemporary Art, Toronto

2004

Museo de Arte Carrillo Gil, Mexico CityM du B, F, H & g, Montreal, Quebec Canada

2003

Feature Inc, New York, NY (Catalogue)

2001

Feature Inc, New York, NY

2000

Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Jalisco,Mexico

 

M du B, F, H, & G Montreal, Quebec, Canada

1998

The A.N. Gallery, Karachi, Pakistan

1997

Feature Inc, New York NY

 

Cokkie Snoei, Rotterdam, The Netherlands

1996

Cabinet Gallery, London, England

1995

Feature Inc, New York, NY

1994

Feature Inc, New York, NY

1993

Cabinet Gallery, London, England (catalogue)

 

Kim Light Gallery, Los Angelas, CA

1991

Feature Inc, New York, NY

 

SELECTED GROUP EXHIBITIONS

2010

Stations, Peter Blum Gallery Chelsea, New York, NY

 

Townie, Foley Gallery, New York, NY (curated by Carl D'Alvia)

 

A visual sympathy for modernism, Franklin Parrasch Gallery, New York, NY

2009

Jr. & Sons, Zach Feuer Gallery, New York, NY (curated by Joe Bradley)

 

Pink Panther, Kumukumu Gallery, New York, NY (curated by Amy Smith-Stewart)

 

Cave Painting, Gresham’s Ghost, New York, NY (curated by Bob Nickas)

 

Huma Bhabha, Jason Fox, Baker Overstreet, Aurel Schmidt, Galleria Paolo Curti / Annamaria Gambuzzi & Co., Milan, Italy (curated by Kineko Ivic)

 

Unaddressed Circumventions: Folds from a Failed Suicide, Gresham’s Ghost, New York, NY

 

Jason Fox | Alexis Rockman, Motion Parallax, Franklin Parrasch Gallery, New York, NY

 

Jason Fox and Huma Bhabha: Atlas Mountains, Andrea Rosen Gallery, New York, NY

 

New Work, Reynolds Gallery, Richmond, Virginia

 

Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, NY (curated by Bob Nickas)

2008

Political Correct, Blondeau Fine Art Services, Geneva, Switzerland

 

That Was Then…This is Now, PS1, New York, NY

 

Summer Group Exhibition, Derek Eller Gallery, New York

 

peanut gallery, The Journal Gallery Brooklyn, Brooklyn, NY; curated by Joe Bradley

 

Disarming Matter, Larissa Goldston Gallery, New York, NY; curated by Erica Svec & Zachary Willard

 

Huma Bhabha, Andre Ethier, Jason Fox, Greener Pastures Contemporary Art, Toronto, CA

2007

Kim Light Gallery: Early 90s, Kim Light Gallery, Los Angeles, CA

 

Every Revolution is a Roll of the Dice, Ballroom Marfa, TX; curated by Bob Nickas

 

RAW– Among the Ruins, Marres Center for Contemporary Culture, Maasricht, Netherlands; curated by Lisette Smits and Alexis Caillant (accompanying book)

 

Shark & Hall- KLAT Featuring Jason Fox, Batiment 59, Artamis, Geneva, Switzerland; curated by KLAT

 

Feed Your Head, Heskin Contemporary, New York; curated by Andrew Chesler (catalogue)

 

Thoughts, Feature Inc., New York, NY

 

Automatic, Franklin Parrasch Gallery, New York; curated by Chris Churchill

2006

The Inhumane Society, Momenta Art, Brooklyn, NY

 

Drawing III (Selected), g-module, Paris, France

 

An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York; curated by Bob Nickas

 

Exquisite Corpse—Cadavre Exquis: A game played between Mitchell Algus and Bob Nickas, Mitchell Algus Gallery, New York, NY

 

Clarissa Dalrymple’s Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts, Bortolami Dayan, New York, NY; curated by Clarissa Dalrymple

2005

Drunk vs. Stoned 2, Gavin Brown’s Enterprise, New York, NY; curated by Elysia Borowy-Reeder, Gavin Brown, Corinna Durland, Scott Reeder, and Tyson Reeder

 

Dual Vision, Wendy Cooper Gallery, Chicago, IL; curated by John McKinnon

 

The sun rises in the evening., Feature Inc., New York, NY

 

Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY (catalogue)

 

Behind the Wall of Sleep, Greener Pastures Contemporary Art, Toronto, CA

2004

Versus: Huma Bhabha and Jason Fox, Arena Mexico, Arte Contemporaneo, Guadalajara, Mexico

 

The Four-Color Pen Show, Locust Projects, Miami, traveled to; The General Store, Milwaukee, WI. Curated by Elysia Borowy and Heather Hubbs.

 

Radicales Libres, Central de Arte WTC, Guadalajara, Mexico; curated by Ruben Mendez

 

Beat the Reaper!, Allston Skirt Gallery, Boston, MA; curated by Joe Bradley

 

Drunk vs. Stoned, The General Store in association with Gavin Brown’s Enterprise, New York, Ny; curated by Elysia Borowy

2003

The Burnt Orange Hersey, Space 101, Brooklyn, NY; curated by David Hunt

 

The Melvins, Anton Kern Gallery, New York, NY; curated by Bob Nickas

 

Transnational Monster Leaugue, Derek Eller Gallery, New York, NY; curated by Banks Violette

2002

ANP: Guide to Trust No.2, Yeerba Buena Center for the Arts, San Francisco, CA

2001

Dear Dead Person, Momenta Art, Brooklyn, NY; curated by Banks Violette

 

Blondies and Brownies, Aktionsforum Praterinsel, Munich, Germany, traveled to; Torch Gallery, Amsterdam, The Netherlands, 2000. Curated by Rafael Von Uslar.

2000

Hairy Forearm’s Self-Referral, Feature Inc., New York, NY

1999

Drawings (two person exhibition with Chris Hammerlein), Feature Inc., New York, NY

 

Pleasure Dome, Jessica Fredericks Gallery, New York, NY

 

X-Thetic, Stefanelli Exhibition Space, New York, NY; curated by Giles Lyon

 

Cookie Snow Feature, Cokkie Snoei, Rotterdam, The Netherlands

 

Drawings, Feature Inc., New York, NY

 

Loaf, Baumgartner Gallery, New York, NY; curated by Steve DiBennedetto

 

Xthetic, Angstrom Gallery, Dallas, TX

1998

Sociable Realism, Stephen Friedman Gallery, London, England; curated by Paul Noble

 

Spectacular Optical: Contemporary Artists Who Share Sensibilities of David Cronenberg,

 

Thread Waxing Space, New York, NY, traveled to; Museum of Contemporary Art, North Miami, FL; CU Art Galleries, University of Colorado at Boulder, Boulder, CO. Curated by Lia Gangitano (catalogue).

 

Paintings, M de B, F, H & G, Montreal, Quebec, Canada

 

Ketchup (a project by KLAT), FORDE Espace d’Art Contemporian, Geneva, Switzerland; curated in association with Fabrice Stroun

 

WOP: Work on/off paper, ANP, Antwerp, Berlgium

 

Yoyogaga, Feature Inc., New York, NY

1997

Bring Your Own Walkman, W139, Amsterdam, The Netherlands; curated by Jack Jaeger

 

Gnarleyand, Feature Inc., New York, NY

 

Supastore de Lux, Up & Co, New York, NY; curated by Sarah Staton

 

Popocultural II, Southhampton Art Gallery, Southhampton, England; curated by Cabinet Gallery

 

Microcosmic Cryptozoic, HERE, New York, NY; curated by Melissa Zexter

1996

Tekenen/Drawing ’96: Rotterdam on Line, Cokkie Snoei, Rotterdam, The Netherlands

 

Escape Attempts (video screening), Christiana, Denmark, organized by Jack Jaeger

 

The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA: curated by Michael Cohen

 

Popcultural, South London Gallery, London, England; curated by Cabinet Gallery

1995

It’s Only Rock & Roll, Phoenix Art Museum, Phoenix AZ; curated by David Ruben (catalogue)

 

Gaze a Gazely Stare, Feature Inc., New York, NY

 

Transmissions Gallery, Glasgow, Scotland

1994

Surface de Reparation, FRAC de Bourgogne, Dijon, France; curated by Eric Troncy

 

Body Language, Tavelli Gallery, Aspen, CO

 

Please Don’t Hurt Me!, Cokkie Snoei, Rotterdam, The Netherlands, traveled to; Cabinet Gallery, London, England. Curated by Jack Jaeger.

 

S.I.B. (Swelling Itching Brain), Satellite Gallery, New York, NY

1993

Arachnosphere, Ranmarine Gallery, Long Island City, NY

 

Outside Possibilities, The Rushmore Festival, Woodbury, NY; curated by Bill Arning

 

Some Artists I’ve been thinking about that fall under the title of: Wouldn’t it be more

 

pluralistic to embrace turmoil and/or vice?, Andrea Rosen Gallery, New York, NY

 

The Return of the Cadavre Exquis, The Drawing Center, New York, NY, traveled to; The

 

Corcoran Gallery of Art, Washington DC, Forum for Contemporary Art, St Louis,

 

MO, Fundacion para el Arte Contemporaneo, Mexico City, Mexico, Santa

 

Monica Art Museum, Santa Monica, CA. Curated by Ann Philbin and Ingrid

 

Schaffner (catalogue).

1992

Seven Rooms/Seven Shows, P.S.1 Museum, Long Island City, NY; curated by Kathleen

 

Cullen

 

Kim Light Gallery, Los Angeles, CA

 

The Red Light Show, Stitching CASCO, Utrecht, The Netherlands; curated by Jack Jaeger

 

The Mud Club, Winchester Cathedral & Lake Nairobi, Gahlberg Gallery, College of DuPage, Glen Ellyn; curated by Hudson (catalogue)

1991

Office Party, Feature Inc., New York, NY

 

Louder, Gallery 400, University of Illinois at Chicago, Chicago, IL; curated by Tony Tasset and Kathryn Hixon

 

SELECTED BIBLIOGRAPHY

2012

Asfour, Nana "Jason Fox, Eating Symbols", Time Out New York, February 16, 33

2009

Schultz, Charlie "As Below, So Above", ARTslant, February 10

 

"Galleries Downtown", The New Yorker, February 2

 

Rosenberg, Karen "Jason Fox: Upper Depths" The New York Times, February 13

 

Saltz, Jerry "The Miracle of Red", New York Magazine, February 2

2006

Lafreniere, Steve. "Interview with Hudson", Index, November/December, 34–41

 

Lillington, David, Frog, no. 4 (Autumn/Winter), 46–49

 

Do Androids Dream of Electric Sheep? Vellum, no. 4 (Fall/Winter), 32–35

2005

Greater New York 2005, exhibition catalogue, P.S. 1 Contemporary Art Center,

 

Long Island City, NY, 156–157

 

Faust, Lily. Review, M/The New York Art World 8, no. 6 (February), 8

 

Manning, Sean. New York Press, 9–15 February, 44

 

Nusser, Madeline. "The Four-Color Pen Show," Time Out Chicago, 3–10 March

 

Reed, John. Time Out New York, 3–9 February, 59

 

Saltz, Jerry. Village Voice, 2–8 February, 74

 

Vincent, Steven. Art in America, June/July, 179–180

2004

Lehmann, Henry. "Variations On Nature of Reality," Montreal Gazette,

 

January 31, Weekend section, 3

 

Saltz, Jerry. "Blotto, Meet Buzzed," Village Voice, May 19-25

2003

Cotter, Holland. New York Times, February 28, E45

2001

Cotter, Holland. Review of "Dear Dead Person," New York Times, May 25, E29

 

Smith, Roberta. "As Chelsea Expands, a Host of Visions Rush In," New York

 

Times, 1 June, E33

1999

Collings, Matthew. It Hurts: New York Art from Warhol to Now, 21 Publishing,

 

London

 

Ivy, Angus. Review of "WOp," Zingmagazine 10 (Summer), 229–230

1998

Cotter, Holland. Review of "Yoyogaga," New York Times, November 20, E43

 

Mahoney, Robert. Review of "Spectacular Optical," Time Out New York, 18

 

London

 

Reid, Calvin. Review, Art in America, July, 100

 

Sciaccaluga, Maurizio. "Chiamatelo Godzilla," Tema Celeste, October–

 

December, 42–51, 98–101

 

Smith, Roberta. Review of "Spectacular Optical," New York Times, July 3, E33

1997

Freedman, Carl. Review of "Popocultural II," Frieze, May, 75

1995

"Goings On About Town", New Yorker, November 13, 22

 

Greeven, Christina. Review of "The Return of the Cadavre Exquis," Manhattan

 

File, May, 64–69

1994

Cotter, Holland. Review, New York Times, January 14, C29

 

Levin, Kim. "S.I.B. (Swelling Itching Brain)," Village Voice, Choices, July 28

 

Levin, Kim. Village Voice, Art in Brief, February 8, 72

 

Lillington, David. Metropolis M, April, 50

 

Lillington, David. Time Out London, January 19, 46

 

Saltz, Jerry. "A Year in the Life: Tropic of Painting," Art in America, October,

 

90–101

 

Yehya, Naief. "La Caligrafia Criminal de Jason Fox," Rock & Pop, July, 75–76

1993

Cameron, Dan. "The Critical Edge: Arranging Things," Art & Auction, January

 

Fox, Marisa. "Rock Kulture," Option, November/December, 83–85

 

Holmqvist, Karl. Interview, Pig, no. 6 (Summer)

1992

Bekkering, Peter. "Let's Talk About Sex," Culture Magazine WOAR, October

 

Bernardi, David. Flash Art, May/June, 149

 

Bonami, Francesco. "U.S. Pain," Flash Art, May/June, 100–102

 

Figee, Thea. "Bedrijvige Piemels en Borsten bij CASCO," Utrechts Nieuwsblad,

 

October 1

 

Hagemans, Arno. "Riskant Erotiek, Maar Geen Porno in 'The Red Light Show,'"

 

Utrechts Nieuwsblad, September 16

 

Hoenjet, Frank. "De Sinaasappelhuid van de Erotiek," Univeriteitsblad Utrechts,

 

September 24

 

Marrs, Jennifer. "Simple Style with a Complex Meaning," Courier, 2 October,

 

15, 18

1991

Review of "Feature Creatures," Flash Art, November/December

 

SELECTED PUBLICATIONS

2006

Soft Targets 1, no. 1, 213–216

2004

begin_of_the_skype_highlighting              213–216 2004      end_of_the_skype_highlighting "Installation: Selected by Dana Schutz," Modern Painters, Autumn, 66

2003

"Models and Monsters," Open City 17 (summer), 1, 51–58

 

Manual, edited by Alexandre Estrela and Scott Harrison, Litographia Amorim, Lisbon, 77, 87 (reproduction of artwork)

1996

"Jason Fox," Documents sur l'Art, Spring, 12 (reproduction of artwork)

 

Tijdschrift, no. 3, Salle deBains, Rotterdam, 44–45 (reproduction of artwork

1995

"Comfortably Numb: Drawings by Jason Fox," Chemical Imbalance, Winter

1994

"Working Conditions: A Forum on Art and Everyday Life by Younger Artists," Julia Jacquette and Lawrence

 

Lipkin, guest editors, M/E/A/N/I/N/G, no. 16, 12–13

1993

ABeSea, May, 16 (artist's project) L'endroit idéal (Ideal Place), edited by Eric Troncy, L'Ile du Roy, Centre d'Art

 

et Jardin, Val due Reuil, France, 66–67 (artist's project) Snake Eyes, no. 3, inside back cover

 

 

AWARDS AND HONORS

2006

Champagne Perrier-Jouët Prize for Best Artist at Zoo Art